Quote:
Originally Posted by starfucker
For example, I loved it when International Blue came out and it made me do a bit of research about Yves Klein and I learnt something new. That is a gold example of why I love this band so much. But I couldn't give a flying fuck about what some kid on work experience at Mojo decides is a banger or a "return to form" or whatever.
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Brilliantly put, both points.
It should hardly be a surprise that music journalism is effectively dead on its arse - and it wasn't even the internet that killed it. Be Here Now mania, anyone?
(Admittedly, a shrug for another thread.)