#16
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Yeah I remember a lot of people who knew I liked the band, asking me why they had released it.
To be honest. Thinking about it Lifeblood has less cringey songs on it. I struggle to listen to SPL&M, and Lets Go To War. They're catchy but a little embarrassing.
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#17
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Manic Street Preachers Rock City Oct 1994; Newport May 1996; Knebworth Aug1996; Exeter Oct 1996; Reading April 1997; Cardiff Dec 1999; Manchester Mar 2001; Brixton Mar 2001; Llandudno Aug 2001; Leeds Festival Aug 2001; Birmingham Dec 2002; Cardiff Dec 2002; Brighton Dec 2004; Manchester Dec 2006; Sheffield May 2007; Bristol June 2007; Birmingham Dec 2007; Reading Festival Aug 2008; Royal Festival Hall Sep 2008; Camden Roundhouse May 2009; Sheffield Oct 2010; London O2 Dec 2011; Manchester Sep 2013; Leeds Mar 2014; Manchester Dec 2014; James Dean Bradfield Manchester May 2006; Sheffield Oct 2006; Sheffield Graves Art Gallery Oct 2011 |
#18
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I've wrote this before but Lifeblood is only seen as a failure in the eyes of the band as it sold nothing. If it had of been a no.1 album Wire would wank over it every night. You can debate about aesthetics and style and production or whatever but apart from one or two duffers its a very well written collection of songs.
I think the biggest issue with Lifeblood, however, is timing. Manics still thought of themselves as a Radio 1 band in 2004. I remember very clearly listening to Jo Whiley having the first play of TLORN on Radio 1 and it sounded weird in context of a 11am Radio 1 show. Really they were moving toward a Radio 2 sound or audience, which they would be in 2007, but in 2004 they were neither one nor the other, or, perhaps more accurately, they still hankered for that big selling EMG/TIMT era. This is all perfectly encapsulated in their (mis)treatment of the song 1985. I'd have that song in their top 5 of all time and it's a perfect Radio 2 song that they would kill for now but because of the timing of it all no one has ever heard it and they never play it. Big big shame. |
#19
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#20
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Lifeblood was a really good era. A different sound, very interesting songs - I really like The Love of Richard Nixon - the white backline, excellent b-sides, it was released at exactly the right time of year. Hopefully one day they'll re-visit it. |
#21
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Futurology is very much an extension of this era, i always said WMTTB sounded musically like it could've come straight after Forever Delayed. Certainly tracks like Between the Clock & The Bed and Black Square would've fitted perfectly on Lifeblood. Of course this album has done better than Lifeblood, so the band will always see it as superior (which i'm not really sure it is).
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#22
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I know it doesn't work like this, but I've always wished that they'd saved 4 Ever Delayed, By the Grace of God and Door to the River for Lifeblood as they would have made it some album! |
#23
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TLORN is a great song, but still a mystifying choice of single - from it's cold sound to it's too-specific title.
If they had launched with Empty Souls, which is an EMG kinda song with the Lifeblood production aesthetic, then I think it would have made a world of difference to the album sales and their career at that time. KYE weirded out a lot of the TIMTTMY people, and whereas Empty Souls may have reassured them, it seems like TLORN sent them running for the hills.
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