#16
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To repel ghosts from the link posted earlier is so damn good. Nice bit of growlage from Jimmy boy at the end!
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“The past is a foreign country: they do things differently there.” L.P. Hartley |
#17
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[QUOTE There's a live version on the demos disc of the Generation Terrorists reissue too.[/QUOTE]
Cheers man - I never got around to buying that. Will do so immediately. |
#18
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Aye, I think Prologue is a good enough to be on an album, yet it would be hard to fit in anywhere in particular. In the alternative Manics history in my head it has quite a prominent position though..... Then again, the recorded version of YSTS kinda doesn't fit in the overall theme of the album. If anything, Prologue would replace that, but I'd also have Montana on the album as well. Love that track, though I imagine I'm in a minority there!
But yeah Be Natural eh?! The old fans were going apeshit at Tolerate being "sellout" or something in those times. I imagine BN would have sent a few over the edge Been giving Lifeblood a spin lately. Still mega
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“The past is a foreign country: they do things differently there.” L.P. Hartley |
#19
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It's not technically an album track, but Leviathan? God, I love that song.
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Who is so deafe, or so blynde, as is hee, That wilfully will nother here nor see Have you seen her, have you heard/the way she plays there are no words/to describe the way I feel |
#20
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A minority of two, at least. Montana is one of my favourite tracks of that era, and not far off my top ten Manics tracks. Amazing energy to it (same as Prologue).
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What a mess |
#21
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Should have been on an album. Great song.
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What a mess |
#22
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Winter Lovers?
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#23
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Aye remember that one. That was a fine, fine Manics show.
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“The past is a foreign country: they do things differently there.” L.P. Hartley |
#24
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Not sure about the old fans being up in arms about it at the time. Heh, saying old fans now, only talking 7 years since Motown Junk, 25 now hah. Well yeah anyway.. I don't think it was single material at all really, but on the other hand looking back I find it kinda weird that anyone ever thought of Tolerate as a sell out. It's a song about the Spanish Civil War for fuck sake, maybe at the time they'd have got anything at all to number one such was the anticipation. I think it was pretty bold. Does fit in with the more miserable late 90s post-Britpop feel of the time. Wonder if the same people accusing Tolerate of sell out would've said the same of Be Natural too. Baffling. Quote:
I wish they'd b-sides more often. I've seen 8... Think they've only actually played about a dozen. Would love to see em chuck out a couple of Tigers or Postcards b-sides, half of them are better than their albums. Quote:
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#25
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Back in that climate, bands were finished when they hit mid 30's (according to NME etc) and there was a definite lifespan to a band. All this heritage rock shit was going on but to a much less polished level I think. Obviously for the band, that whole media cycle and so on inspired Masses against the Classes and KYE in part. I think most rock fans want their favourite bands to consistently make the same kind of angsty guitar stuff with fairly little variation. Almost every incidence of "selling out" involves I had erased that half hour from my memory. They sucked so bad.
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“The past is a foreign country: they do things differently there.” L.P. Hartley |
#26
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Quite surprised they never played Symphony of Tourette live. Though perhaps at the time Richey's limitations on 2nd guitar might've been an issue. Would sound great though surely.
There's definitely a few album tracks that could do with a dusting off. I'd love to hear Miss Europa live again. Great fun on the KYE tour. |
#27
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Honestly, I'll never understand why bands record tracks they don't want to play live. Obviously there's the matter of sound quality of the live setting but as THB20 proved, the the most sonically difficult song (Intense Humming) can become a show stealer if given the right tweak (Sean's machine gun drumming for instance). I can understand why bands grow to dislike or rediscover older songs but there's pretty much no excuse for not playing a particular album track on a tour promoting said album.
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Stand back, I have political powers! |
#28
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Like you say it's hard to imagine the band picking it out themselves. Maybe this needs to become the next Sleepflower/PCP? |
#29
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There are a handful of bands who are bloody minded about playing most, if not all of the album they are promoting at the time. That said, even of those who play most of their albums there are always a handful of songs that seems to get left out. And the balancing act gets tough if you have anything resembling a long career. So you end up with that trade off. It's then either a case of doing A: The hits/main tracks plus a selection off the album, or B: most of the album and then one song off each record. Sadly both methods mean some amazing songs get left in the dirt. Some folks on this forum (myself included) think MSP have missed a trick in not making some of their later work live staples. Just my 2 pennerth!
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“The past is a foreign country: they do things differently there.” L.P. Hartley Last edited by darkanddivine; 23-04-2016 at 12:15. |
#30
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The most confusing ones for me have been I Think I've Found It and Don't Be Evil. They were good enough to stick on t-shirts for the merch stall, but not to even touch em? Weird.
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