#16
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I also get the feeling that Kevin Carter before and after Richey were two different beasts. Considering the way the band tip toes around leftover lyrics for 14 years, I doubt they would have went a direction for the song he would obviously not liked.
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#17
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The band taking 14 years to use the lyrics had nothing to do with any questions about musical direction. It took them 14 years to use the lyrics because that's how long it took for them to be emotionally ready to deal with using them.
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#18
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And even then it was pushing it as I'm sure james or nicky referenced while making the album nicky told James to scrap the whole idea before coming round the next day
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#19
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Quote:
And, hell, he loved the sound of Small Black Flowers....so
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"There is a pleasure in the pathless woods, There is a rapture on the lonely shore There is society, where none intrudes, By the deep sea, and music in its roar: I love not man the less, but Nature more," - Byron 'I must go down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying.' (from Sea Fever - John Masefield) "Hope is the thing with feathers That perches in the soul And sings the tune without the words And never stops at all" - Emily Dickinson |
#20
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He would've been around to hear No Surface All Feeling's acoustic demo and record the album track too
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#21
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Can we all at least agree that Journal For Plague Lovers was a better title than Pantadelica would have been?
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#22
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Quote:
That title is amazing |
#23
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It's worth pointing out that Picturesque was an earlier attempt to use some of the lyrics that Richey left. I believe there were other examples too (just can't remember them off-hand now).
Regardless of the methods used to take Richey's lyrics from page to finished product, EMG and JFPL and utterly fantastic albums. JFPL was a big gamble but it didn't disappoint. Quite the opposite actually.
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What a mess |
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