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  #361  
Old 16-10-2011, 16:34
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Originally Posted by hummingbird View Post
postcards put you off their entire back catalogue? Bit harsh...
Yeah, I mean going back to listen to GT?
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  #362  
Old 16-10-2011, 16:42
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Went to Cardiff Museum today and saw the Manics art on exhibition there...it's certainly interesting isn't it
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  #363  
Old 16-10-2011, 16:44
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I wish Sean would let James and Nicky get a word in edgeways in interviews. Starting to grind my gears a tad.

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  #364  
Old 16-10-2011, 17:25
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Originally Posted by crush_my_bones View Post
I wish Sean would let James and Nicky get a word in edgeways in interviews. Starting to grind my gears a tad.

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  #365  
Old 16-10-2011, 17:33
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Went to Cardiff Museum today and saw the Manics art on exhibition there...it's certainly interesting isn't it
Is it at the National Museum?
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  #366  
Old 16-10-2011, 17:37
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Is it at the National Museum?
Yeah, the "Uses of Literacy" piece! The Nicky/Jesus one was particularly impressive.
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  #367  
Old 16-10-2011, 18:16
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thanks!
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  #368  
Old 16-10-2011, 20:05
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Originally Posted by hummingbird View Post
postcards put you off their entire back catalogue? Bit harsh...
PFAYM and the surrounding publicity/attitude/bullshit put me off the band completely, yes. The same is true for a large number of long-time fans, haven't you noticed?

As for harsh.. if you think going off the band who recorded Motown Junk, Motorcycle Emptiness, From Despair To Where, Faster, ADFL, Tolerate, Masses, The Convalescent, 1985, Imperial Bodybags and All Is Vanity because they made a conscious decision write an album of hollow soulless Radio 2 pop songs like It's Not War and Some Kind of Nothingness to play on Strictly is harsh I think you need your head read.
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  #369  
Old 16-10-2011, 20:17
gallafield gallafield is offline
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I'd say that the two songs you mentioned from PFAYM, tzb, are better than at least "the convalescent" and "imperial bodybags".

But that's just me. Horses for courses, and all that.
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  #370  
Old 16-10-2011, 20:29
Nature's Discontent Nature's Discontent is offline
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Originally Posted by gallafield View Post
I'd say that the two songs you mentioned from PFAYM, tzb, are better than at least "the convalescent" and "imperial bodybags".

But that's just me. Horses for courses, and all that.
Yeah, I think I would agree with tzb on that one. What's wrong with Imperial Bodybags?
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  #371  
Old 16-10-2011, 20:39
Manualex16 Manualex16 is offline
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Originally Posted by Nature's Discontent View Post
Yeah, I think I would agree with tzb on that one. What's wrong with Imperial Bodybags?
The lyrics(cringeworthy if you ask)... if it were just an instrumental it would be lots of time better. Or if Wire rewrote the lyrics
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  #372  
Old 16-10-2011, 21:01
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Quote:
Originally Posted by tzb View Post
PFAYM and the surrounding publicity/attitude/bullshit put me off the band completely, yes. The same is true for a large number of long-time fans, haven't you noticed?

As for harsh.. if you think going off the band who recorded Motown Junk, Motorcycle Emptiness, From Despair To Where, Faster, ADFL, Tolerate, Masses, The Convalescent, 1985, Imperial Bodybags and All Is Vanity because they made a conscious decision write an album of hollow soulless Radio 2 pop songs like It's Not War and Some Kind of Nothingness to play on Strictly is harsh I think you need your head read.
It's Not War and Some Kind Of Nothingness have the same heart and soul as the songs you've just mentioned above them!
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  #373  
Old 16-10-2011, 21:03
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It's Not War and Some Kind Of Nothingness have the same heart and soul as the songs you've just mentioned above them!
Well maybe not so much the second one...
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  #374  
Old 16-10-2011, 21:06
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Well maybe not so much the second one...
Aaron? Are you questioning my judgement?
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  #375  
Old 16-10-2011, 21:09
gallafield gallafield is offline
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Originally Posted by Nature's Discontent View Post
Yeah, I think I would agree with tzb on that one. What's wrong with Imperial Bodybags?
Nowt wrong with "imperial bodybags", I just prefer "some kind of nothingness" and "it's not war". I think they're better songs, is all.
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