#46
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This is a really interesting discussion, however it does rankle with me that SATT and JFPL are considered 'easy' albums. Yeah, they had Nina Persson on one single in the former but if it wasn't a good album (and a good single) it wouldn't have got them anywhere. The same goes for JFPL. Yeah it has Richey's lyrics but just because it was surrounded by a small amount of media hype it shouldn't detract from what an amazing achievement and staggeringly good album it is. The next album shouldn't be considered some kind of grand test and the two recent ones as 'get out of jail free' albums. That just devalues them and the amount of hard work that went into both!
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#47
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Perhaps not an "easy" album, but the "easiest" singles they've ever picked. Just bland Radio-2ery, when they could've had a Rendition/Imperial Bodybags double-A. Strikes me as a major cop-out to have gone for Autumnslog and Indifferent Summer over that.
And no, I'm not proud of those, but I was pressed for time.
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#48
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we'll let you off *lolz
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#49
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Yeah, I suppose as far as studio albums are concerned 2001-2004 seemed to be a bit of a comercial pit. I wonder if they'll have ended up being more forgotten about if they hadn't sandwiched Forever Delayed and Lipstick Traces between Know Your Enemy and Lifeblood. Could've been like a belated second album syndrome.
Gotta admit, although it took a while for me to love Lifeblood, I didn't have a clue what to expect from them after that. But after hearing I Killed The Zeitgeist and The Great Western, I knew they were gonna carry on being great.
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#50
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Quote:
I think for my own meaning, what I was driving at talking about "sounding like themselves" and "doing what they do", was after shuffling some songs on my ipod on a road trip yesterday. Comparing some of the sounds from all the albums .. most noticeably (and again not a rag on LB by any means), there's a distinct reduction on that album in that raw guitar sound and thumping drum riffs .. back were the synthesizers and drum machines ... I feel like (and may well be wrong) their "successful" sound is based in that guitar sound.... at least thats what I personally gravitate to. I'm proposing that if the next album contains some of that old formula guitar rock, versus some of the electronic components of drum machines etc, it'll do better ?!?!?!?! To be honest .. the Manics could release an album of white noise and I'd still buy 3 versionsn of it ... haha
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#51
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Don't give them ideas.
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European Spoon, European Moon |
#52
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Regardless what the Manics produce for their next album, I'll buy it and give it a fair listen, and even if it's an unholy mix of 'Disco Duck' and Poison, I'll go see them on tour.
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Abayo! |
#53
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I think that a big link here is the bands attitude to their work. I can only say that 2001 to 2004 almost seemed like they were going through the motions a little bit, they kind of lost their way and even the live gigs were not as energetic as they have been (they weren't bad they just lacked some lustre) yet i think the PPF tour gave them something back (and i think Nicky has said somewhere that if it hadn't been for that tour they may have just faded away) and since then they have just got this amazing passion and love for their work i feel which reflects in the albums and most definately in their live performances.
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JUST DIVINE BRILLIANCE
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#54
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KYE is brilliant, and TIMTTMY is meaningless pop? SATT is much more generic pop rock nonsense
How it managed to become a comeback i will never know. JFPL is what it's really about |
#55
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just a few observations kye sounded like somebody trying to be the manics (this sort of started with masses), but not quite succeeding its not without it's good points though.
I've always thought that lifeblood is amazing, its sort of an organic procession from timttmy but the reason it "tanked" is that it was well ahead of its time maybe a 6 months or a year later it may have been a different story. ps this makes perfect sense in my flu ravaged brain if it doesn't sorry |
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