#61
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well, even though it was not a full Manics blown thing, just remixes, it is a physical vinyl and therefore will be selling online soon for something like £25+....
...in a couple of years may be in the great black book of Rare Record Price Guide. |
#62
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The market decides what's collectable, not the manufacturers
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V2002 • Move 2003 • V2006 • KoKo 2006 • Culture Show 2007 • Album Chart Show 2007 • XFM 2007 • V2007 • Glastonbury 2007 • Astoria 2007 • London Brixton 2007 • NME Awards 2008 • NME Big Gig 2008 • Forever Heavenly 2008 • Roundhouse 2009 • Forum 2009 • Concert for Care 2009 • XFM Winter Wonderland 2010 • Brixton Academy 2011 • Blackwood Miners Institute 2011 • Roundhouse 2011 • O2 2011 • Rough Trade East 2012 • Shepherds Bush 2013 • Brixton 2014 • Glastonbury 2014 • Rough Trade East 2014 • Acoustic Guitar Show 2014 • Roundhouse 2014 • Cardiff Castle 2015 • On Blackheath 2015 • Royal Albert Hall 2016 • Swansea Liberty Stadium 2016 • Wembley Arena 2018 • Shepherds Bush 2019 • Kingston Pryzm 2021 x2 • Wembley Arena 2021 • Glastonbury 2023 • Alexandra Palace 2024 • Shepherds Bush 2025 (41)
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#63
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So true. This may or may not be a big deal in a year's time.
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#64
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Which is largely conjecture as UEF stated. Something's only worth what others will pay for it.
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Manics Shows |
#65
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I really don't see the value of this, it doesn't add anything whatsoever - not even something nice to look at! I must be getting jaded, but my gut reaction is that it's taking fans for mugs - unless it's specifically aimed at vinyl junkies who don't have access to the MP3s.
In which case it should have come out at the same time, with the same title/cover, as an MP3 and vinyl only release. Obviously I'm not dissing anyone on here who wants to buy it, I just don't get it. Maybe I'm bitter 'cause I bought the original remixes EP on iTunes, and then the album came out, so I already feel like these remixes have had one over on me once. Oh, and they're mostly sht. |
#66
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Quote:
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My Updated (November 2012) Manics Collection |
#67
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#68
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Of course there is the age-old argument of analogue Vs digital formats too, although we don't know what the source is for the vinyl, so if it was just the MP3s used as the source material it'd be a little silly from that point of view, but I doubt many copies will be sold on the basis of audiophile tendancies. But really, people buy badges and stickers and posters, and they are not much more useful. It's a collectable, that's all it needs to be.
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'Those Manics are great mun ent'it!' | Miyazaki-San, Arigato | POPCORN! | PorcoTunes: SC=fdporco YT=PorcoForever | | I know our time has come and gone / At least we blazed a trail and shone | | Yes I knew this thing would end / I did not know where or when | |
#69
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Quote:
Don't a lot of DJs do stuff electronicaly now? I have to say I honestly know nothing about how they do their stuff.
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V2002 • Move 2003 • V2006 • KoKo 2006 • Culture Show 2007 • Album Chart Show 2007 • XFM 2007 • V2007 • Glastonbury 2007 • Astoria 2007 • London Brixton 2007 • NME Awards 2008 • NME Big Gig 2008 • Forever Heavenly 2008 • Roundhouse 2009 • Forum 2009 • Concert for Care 2009 • XFM Winter Wonderland 2010 • Brixton Academy 2011 • Blackwood Miners Institute 2011 • Roundhouse 2011 • O2 2011 • Rough Trade East 2012 • Shepherds Bush 2013 • Brixton 2014 • Glastonbury 2014 • Rough Trade East 2014 • Acoustic Guitar Show 2014 • Roundhouse 2014 • Cardiff Castle 2015 • On Blackheath 2015 • Royal Albert Hall 2016 • Swansea Liberty Stadium 2016 • Wembley Arena 2018 • Shepherds Bush 2019 • Kingston Pryzm 2021 x2 • Wembley Arena 2021 • Glastonbury 2023 • Alexandra Palace 2024 • Shepherds Bush 2025 (41)
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#70
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I agree that it's exploiting the fans a bit, but no more than selling those awful remixes on iTunes was. And some people are happy to be exploited. |
#71
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Well exactly. No one is forced to buy this, or any of the other questionable releases the band have ever put out there. Are most of them really needed? If you don't think the product is worth it, don't buy it.
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#72
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Well, if there's any Underworld fans out there who know of the existence of this...
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#73
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In reality it's just a record company keeping one of its brands ticking over and a little bit of a gift to those that want it.
__________________
V2002 • Move 2003 • V2006 • KoKo 2006 • Culture Show 2007 • Album Chart Show 2007 • XFM 2007 • V2007 • Glastonbury 2007 • Astoria 2007 • London Brixton 2007 • NME Awards 2008 • NME Big Gig 2008 • Forever Heavenly 2008 • Roundhouse 2009 • Forum 2009 • Concert for Care 2009 • XFM Winter Wonderland 2010 • Brixton Academy 2011 • Blackwood Miners Institute 2011 • Roundhouse 2011 • O2 2011 • Rough Trade East 2012 • Shepherds Bush 2013 • Brixton 2014 • Glastonbury 2014 • Rough Trade East 2014 • Acoustic Guitar Show 2014 • Roundhouse 2014 • Cardiff Castle 2015 • On Blackheath 2015 • Royal Albert Hall 2016 • Swansea Liberty Stadium 2016 • Wembley Arena 2018 • Shepherds Bush 2019 • Kingston Pryzm 2021 x2 • Wembley Arena 2021 • Glastonbury 2023 • Alexandra Palace 2024 • Shepherds Bush 2025 (41)
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#74
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Releasing 200-300 records is hardly what I'd call "exploiting" fans though. The band can't possibly expect to make much money off this, especially if royalties have to be paid to all those involved with the remixes (although that I know little about, so correct if I'm wrong!) And I think it's understandable that people might simply want to own it in a tangible format instead of mp3s. So even if ultimately it is a collector's item, I think there are entirely valid reasons people would want to buy it. It really should've come out at the same time as the remix EP in the first place though. |
#75
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And they kinda y'know should have told us about it...
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