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#33
28-05-2021, 19:30
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Despite the compressed as hell stream that was a short but very sweet set; orwellian sounding particularly nice on the solo mournful piano and i loved the guitar licks throughout tolerate, the intro was great. Still prefer bright eyes with just james on acoustic but nice to hear something different.
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Please, he prayed, now - A gray disk, the colour of Chiba sky. Now - Disk beginning to rotate, faster, becoming a sphere of paler gray. Expanding - And flowed, flowered for him, fluid neon origami trick, the unfolding of his distanceless home, his country, transparent 3D chessboard extending to infinity. Inner eye opening to the stepped scarlet pyramid of the Eastern Seaboard Fission Authority burning beyond the green cubes of Mitsubishi Bank of America, and high and very far away he saw the spiral arms of military systems, forever beyond his reach. And somewhere he was laughing, in a white-painted loft, distant fingers caressing the deck, tears of release streaking his face. 
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#34
28-05-2021, 19:52
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Not available outside the UK…… Cheers, GP
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#36
28-05-2021, 21:20
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#37
29-05-2021, 03:00
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So...
A piano version of Orwellian that makes me like the song a bit more than I did before. One of the best versions of Tolerate I've heard in ages. Usually the only reason I get excited for it at a show is because it generally means the mid show acoustic part is coming up. A version of Bright Eyes that sounds like a holiday park resident band filling in the time between the bingo and the evenings main entertainment of an impressionist doing impressions of people who were relevant for two weeks in the late 80s. Overall, it sounded like a band enjoying themselves, especially on Tolerate. I am all for this.
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#38
29-05-2021, 03:42
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#39
29-05-2021, 05:09
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__________________
Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. George Orwell
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