#2146
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NME does it all the time. I'm sure they'll be taking the piss out of this week's issue after them doing Strictly. Especially after that rant that Nicky did about Rock n Roll being dead.
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#2147
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Bands view recognition in the press as important though. Not saying alot of the bands they champion are great or anything. It's usually because they have so many journos working for them these days that you don't know who anyone is most of the time these days. It's still nice to get positive feedback across the board because it's not just one journo trying to impress or whatever. I don't think most of the journos out there would go out of their way to praise the Manics for the good of their health!
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"Former glam-punk rocker James Dean Bradfield now looks like your friendly, slightly rumpled Welsh uncle who always brings you chocolate when he visits. That's not a bad thing." - Allister Thompson aka The Gateless Gate (Canadian musician) |
#2148
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They haven't slagged Tigers yet!
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"Former glam-punk rocker James Dean Bradfield now looks like your friendly, slightly rumpled Welsh uncle who always brings you chocolate when he visits. That's not a bad thing." - Allister Thompson aka The Gateless Gate (Canadian musician) |
#2149
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The thing is though, whether the press like an album or not is a separate issue to what the fans and people on here think. The two don't have to go hand in hand. As I've said before, I make my own mind up about music; just because a lot of journalists might share one view on it, it doesn't mean I'm going to as well. Journalists aren't any different to the rest of us when it comes to voicing opinions; their views aren't the final word just because they get paid to write about it. It's all subjective whether you're talking about the NME's verdict on something, or someone's opinion on this forum.
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#2150
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Anyone remember Proevpete? At least those of us that don't like the album haven't carried on like he did.
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#2151
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I remember him....where's he gone anyway?
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#2152
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Friendly guy.
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#2153
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while good reviews doesn't mean i'm going to like an album I'm still interested in what they have to say. They do influence people as do end of year lists. There's been lots of albums that have had critical acclaim that have bombed commercially and vice versa. No guarantees but you still need the journos.
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#2154
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Indeed. Don't always agree with journos but they have their purpose of giving people an idea of what an album is like. It can help people decide if they want to buy a record or not. The proof will always be in the listening of course!
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"Former glam-punk rocker James Dean Bradfield now looks like your friendly, slightly rumpled Welsh uncle who always brings you chocolate when he visits. That's not a bad thing." - Allister Thompson aka The Gateless Gate (Canadian musician) |
#2155
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Quote:
Last edited by Abstract Unknown Girl; 08-12-2010 at 23:32. |
#2156
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i was surprised how well the album appeared to do critically (although it hasn't exactly distinguished itself). the Manics tried for an obvious, controversy free (if unfashionable) sound though and frankly a lot of journalists were clearly on autopilot. by that i mean that if you play the album a lot, try to bring it into your world in a way that a critic doesn't have time for, i think it's clear that PFAYM isn't the album many of these people are describing- whatever your opinion of its quality, this big cheesy bunch of orchestrated widdly widdly pompous anthems they're talking about is the band's hype but only half the story. i can't take seriously any assessment of the album which doesn't acknowledge that it sounds like the band ran out of money halfway through.
also in 2010 an album being 'critically acclaimed' doesn't mean much anyway, when online communities like various forums and rateyourmusic are more reliable (*cough*) if you're too lazy to just download and make up your own mind. not to be an ass but a lot of the ways people try to judge the success of this album here, following chart placings and worrying about singles and videos and what boring dudes in papers who know less than us write, it feels a bit outdated. i strongly disagree with Gutless Wonder because PFAYM itself is not a record that people are discussing and debating really. you're not seeing much nuanced criticism from journalists or listeners, you don't see fans of the record pointing out things that detractors have missed, something that makes you think. the record is what it is and you like it or you don't. the melodies and some quaint opinions on modern life. we're all just shouting opinions at each other, because the qualities or otherwise of the record are as plain as the nose on your face and there's not much to say about it. for me it's probably the least discussion worthy thing they've ever done. that's the worrying thing, not that some of us think the album sucks, but that the album doesn't matter. even as i write this i'm thinking 'why care and get melodramatic about a band that makes such a routine record, you know you could be listening to Kanye West and browsing redtube right now'. brb |
#2157
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The music press is very fickle and doesn't seem to rate albums based on the album, but more what they think of the band at the time. Since SATT, the manic coverage has been largely positive and friendly, and that's why this album got reasonable reviews - it didn't do anything to offend or detract from that general sense of positivity SATT and JFPL created. If you put it after KYE I bet it would have been seen differently.
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#2158
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#2159
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#2160
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Your own personal passion for the band is obvious and I've just noticed how many posts you've made on here - blimey! You wouldn't do that if you didn't care very deeply about MSP. |
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