#256
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With that kind of thinking, the future for this band remains bleak. |
#257
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There hasn't been that much experimentation in their recent work, though, has there? Same verse-chorus-verse efforts at making a big anthem, just with a different beat behind it. I've never been a fan, but it's hard to see going from 'Don't Panic' to 'Every Teardrop is a Waterfall' as progress, unless they were intending to "progress" into becoming the most punchable band in the country.
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#258
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http://www.youtube.com/watch?v=eDhqxipl7U0 I can only hope that JDB one day finds someone who is willing to do the same for him. Death to all Autumnsongs. |
#259
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Coldplay hasn't been experimental per se but they've not been afraid to play around with their sound and try out new things. The jump from the Parachutes/A Rush of Blood/X&Y trilogy to the sound elements on Viva La Vida may not seem massive to us who listen to our experimental rock troupes on regular basis, but on Coldplay's/a mainstream rock band's scale it's huge. The band felt X&Y was bloated and derivative of their past work and they knew they couldn't continue on that route without suffering a painful musical death in the process, and thus they decided to actively pursue something different and change gears for the next album. And kudos to them, they did it - multi-part suite songs, songs screaming to be hits turned instrumental in order to avoid that easy path, shoegazey rock-outs, big guitar moments switched to orchestral string riffs and a percussion kit which features a church bell as its integral part, heavier focus on an album as a whole rather than individual moments, etc. For a band who made their name with safe stadium singalong hits, it was a big leap and a risk. They've been a mainstream-geared band throughout their entire career and it's easy to dislike them because of that, and that's okay, but they're also a band who genuinely want to evolve and actively try out new things within their chosen route.
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#260
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Rough Trade, London - 16/11/2011 O2 Arena, London - 2011 X-Tra Club, Zurich - 2012 Rough Trade, London - 2012 Rewind The Film Tour Bristol/London/Manchester/Glasgow - 2013 BBC 6 Music - Maida Vale Studios - 2013 Futurology Tour 2014 - Leeds/Cardiff/Leicester/Manchester/Brighton/Brixton x2/Bruxelles/Luxembourg Rough Trade - 2014 London Acoustic Guitar Show Olympia, London - 2014 BBC Mastertapes, The Holy Bible special - Maida Vale Studios - 2014 The Holy Bible Tour 2014 - Glasgow/Manchester x2/London x2 The Holy Bible Tour 2015 - Southampton/Cardiff/On Blackheath EMG20 2016 - Bruxelles/Liverpool/Birmingham/London x2/Glasgow/Swansea/Portsmouth |
#261
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#262
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NEVER! I'll fight to the last man!
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"Former glam-punk rocker James Dean Bradfield now looks like your friendly, slightly rumpled Welsh uncle who always brings you chocolate when he visits. That's not a bad thing." - Allister Thompson aka The Gateless Gate (Canadian musician) |
#263
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i don't agree with James's comment about Coldplay but that doesn't mean he's against bands changing style, just that what Brian Eno did with Coldplay didn't work. Just because something's experimental doesn't mean it's worthy. Sometimes it obvious they shouldn't have bothered
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#264
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Are you talking about Coldplay or the Manics?
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#265
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I wasn't going to buy this, but having seen the photos of the lovely gatefold sleeve I think I now must have it. It is sexy as fuck.
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#266
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obviously coldplay, the manics insist on keeping the same drum beat too
design for life-indian summer-second great depression-postcards from a young man
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you'll be fine for 31 minutes, you'll be dead in 32 minutes. |
#267
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It is pretty damn sexy!
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My Facebook |
#268
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#269
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Me too !!! I'm going to sit in the local shopping centre begging for enough cash to buy it from WH Smiths. Or enough cash to bribe a little child to steal it from near the door :-)
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#270
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I have enough money in my account too, will have to hunt one down tomorrow
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