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#31
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Am I anonymous or what?
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When you take the same stamper and press on black and coloured material and then compare them, even a half-deaf person can hear the major difference in quality. I agree with double LP with 45rpm. This would be of course the best variant. on black 140g of course, otherwise it doesn't matter Do you think an analogue tape with the original un-mastered recording exists? If it does then it would be great, otherwise at least 24-bit digital copy could help a bit but only a bit. But...the power of Holy Bible is not in the sound
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#32
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Ok mate, I'll take your word for it.
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'Those Manics are great mun ent'it!' | Miyazaki-San, Arigato | POPCORN! | PorcoTunes: SC=fdporco YT=PorcoForever | | I know our time has come and gone / At least we blazed a trail and shone | | Yes I knew this thing would end / I did not know where or when | |
#33
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Well, you just said it with no evidence, or reason for us to believe you. I'm not sure I'd believe either is better, but plenty of people seem to argue 180g is better, so why is 140g better...and even better if your provide some sources.
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#34
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Ah yes, the Steve Hoffman forums. Where The Beatles are still considered to be "current".
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This Is My Truth So Shut Your Face |
#35
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But maybe I can also admit I work as account manager in the biggest vinyl records producing factory ;-)
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#36
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I am not an audio expert, so I can't say if I'd rather have 140g or 180g, but I'd love to have THB on vinyl. My turntable doesn't see many new releases.
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#37
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Ahh so you are the guys getting people to pay more for an inferior product . jk.
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#38
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the chain is way too long.... and the only information coming from us is 140g >>>>>>>>>>>>>> 180g, we are not to blame for this
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#39
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People who know it all are so infuriating.
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#40
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donkey is spot on about everything bar colour affecting the sound - there are different copolymer used as the base material and the colouring process can affect this as its like the simplest of science...
the colours are changed due to different substances added to the original copolymer. Obviously different compounds made of different chemicals react different - as an example, 'gold / orange' vinyl is more prone to 'heat damage' than standard black or, say, purple vinyl. regarding the weight of the vinyl, 180 has no impact on the sound, just durability. However vinyl deserves to be handled well, and if you don't look after it and it warps or scratches then more fool you for being so slapdash with a piece of art. |
#41
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to be on safe side with my conscience I'll repeat again: soundwise 140g black vinyl is the only good option (preferably with ideal time and 45rpm, not half an hour on each side and 33rpm, that's not good ) every difference sucks - colour, weight. For 180g it's pretty simple, it suffers from so called non-fills, because it's not easy to distribute the material during pressing. Have a good luck with vinyl :-x
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#42
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there's an article in the June edition of record collector talking about sound quality with 180g vinyl. Not read it yet but if anyone's interested go have a look
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IS IT MANICS O'CLOCK YET?
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#43
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This. Release it on whatever weight you like* Nicky/Sony/Music On Vinyl, just release it!
* But hey, from reading this thread, 140g sounds like a good bet. |
#44
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I think wearing a balaclava with my name on it at Eindhoven might well have put James and Nicky off the idea lol!
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#45
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I can't see it. They're so into this album and their present, seeming more focussed and excited that their recent releases. It would be odd for them to shift gear and focus just one month after the album drops.
I would love a decent vinyl release though. My picture disc doesn't sound very good.
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WITH GRACE WE WILL SUFFER WITH GRACE WE SHALL RECOVER |
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