#91
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Quote:
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#92
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Quote:
But Rendition and Imperial Bodybags are terrible, IMO. And Wire hasn't really done a good political lyric ever since Know Your Enemy (bar Nixon, but that's not particularly keen on making any sort of a statement, it's more a character lament). I don't mind a political lyric if it's done well, but ever since Know Your Enemy Wire seems to have completely lost his touch with writing a commentory lyric. He seems to have lost the art of subtlety, the idea that you can still comment on something even if you don't just bluntly state it - see e.g. Tolerate or Design which both capture the idea, theme and thoughts running behind their respected subjects without ever actually directly pointing a finger and shouting "THERE IT IS!!!" at anything. His political material since KYE - or most of his material in general since that album - comes off as incredibly awkward and clunky because he seems to be trying to bring back the old Manics-esque sloganeering style, offering big punchline statements. But, and this is one thing where I actually think Richey was a better lyricist, Richey knew how to do a good punchline. With Wire's hands the style simply becomes too obvious and even slightly amateurish, it sounds clunky and awkward. It's like political lyrics of a young teenager inspired by his favourite rock band's lyrics. This is, naturally, all my opinion but I'd prefer Wire to stay away from writing anything political until at least he connects with the muse he had pre-KYE. His lyrical skills have plummeted since Lifeblood in general (that album and its era pretty much marks his final great lyrics, even if it showed signs of the subsequent self-admitted writer's block), I'd much rather have a wonky personal lyric over a wonky political one because at least with the former you don't feel as cringed and embarrased by listening to it. Naturally, it all boils down to the individual listener's lyrical preferences. Quote:
If you want lyrics about nothing, there's a hell of a ton better candidates in the Manics catalogue. Like the lyric line lottery of Intravenous Agnostic (which I do quite like because its utterly messy, incoherent rambling fits so perfectly to not only the song's chaotic mood but to the album's schizophrenic bouncing as a whole).
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Last edited by Flint; 01-05-2010 at 09:22. |
#93
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Disagree that the three songs Phil mentioned are bland musically. As I've said a few times, love the guitar solo in RC.
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"Former glam-punk rocker James Dean Bradfield now looks like your friendly, slightly rumpled Welsh uncle who always brings you chocolate when he visits. That's not a bad thing." - Allister Thompson aka The Gateless Gate (Canadian musician) |
#94
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I like that album a lot.
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#95
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I think KYE is one of their best.
(If you skip tracks 4-8, and insert Just a Kid & Pedestal) |
#96
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Does anyone know what the "exclusive content" on the KYE CD is? I put the CD in my computer, clicked on exclusive content, and all it did was bring up my web browser.
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#97
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Haven't got the content edition? I just have the bogstandard album.. which was far from bogstandard I add! Is this on the reissue of KYE?
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#98
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No, just the standard UK release. I guess since this album is 9 years old, the exclusive content isn't available anymore.
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#99
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I like it. Especially the Japanese version.
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"What's big and small at the same time? A big egg!" |
#100
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Man, I'm just listening to KYE the first time in 3 years and LOVE IT!!!!!! Such a fantastic album!
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#101
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Know Your Enemy remains their "hidden gem" album to me. I always forget how good some of those songs are.
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