#106
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#107
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This is exactly what i've found several comments in the thread to be: condescending.
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Please, he prayed, now - A gray disk, the colour of Chiba sky. Now - Disk beginning to rotate, faster, becoming a sphere of paler gray. Expanding - And flowed, flowered for him, fluid neon origami trick, the unfolding of his distanceless home, his country, transparent 3D chessboard extending to infinity. Inner eye opening to the stepped scarlet pyramid of the Eastern Seaboard Fission Authority burning beyond the green cubes of Mitsubishi Bank of America, and high and very far away he saw the spiral arms of military systems, forever beyond his reach. And somewhere he was laughing, in a white-painted loft, distant fingers caressing the deck, tears of release streaking his face. |
#108
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The problem I had with tzb's post is the opposite of what I'm saying here. He doesn't like it, therefore it's shit and if they carry on doing stuff he doesn't like, they're going to ruin the stuff he does/did like so they should stop. Fucking bizarre. Quote:
Yeah... I'll be surprised if they don't end up doing winter gigs. Quote:
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From what I remember on here around the time, there was quite a big downer on Postcards. But course this place is a bubble in itself too. Not too fond of the album meself but still got fond memories of the era. Still, it was their tenth album. In my subjective opinion and ranking system, at that point they had five excellent albums, three good ones and that was the second of two ok ones. Can't win em all, it's not the end of the world but when you get people acting like releasing summat they don't like is a betrayal, it's the tail wagging the dog, doesn't make sense. Quote:
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#109
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I like to see an album doing well but I don't confuse that with any measurement of its intrinsic artistic value. I do fear that the band, by contrast, are bitterly sensitive to their work not being 'popular'. Sixteen million albums and all that. Quote:
I didn't like PFAYM but if someone else finds it the most wondrous album they have ever heard, and if it gets them into the band, then I am genuinely delighted for them and want to hear their opinion as to why. Quote:
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#110
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Which makes me wonder about stuff like this thread now. What do people get out of trying to undermine or upset people, make them feel small, use their own subjective opinions to tell other people how invalid their subjective opinions are or whatever. If that's not what people are trying to do, I don't know what they are trying to do. I don't know what they think the point of condescension is or whether they accept that they're being condescending. Would tzb or whoever be as keen to talk to people face to face the way they do on line? How did shit get so personal?
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Last edited by sculptureofabloke; 22-02-2018 at 16:55. |
#111
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I think there's a lot of truth in what some of you are saying about the effect of social media and condescending attitudes online, but I don't think it's fair to either blame it all on that, or to point to tzb as some totemic example... I always liked him, even if I disagree with his opinions on recent Manics material, but if he feels that way it stands to reason why he hasn't spent as much time on a Manics forum lately! The real oddballs of the internet are those who spend ages saying how terrible everything is, over and over again, instead of spending time on things they enjoy more. But I think to some people it's become almost a kind of sport. The "two minutes hate" directed towards whatever flavour of thing one personally enjoys hating the most. It's a bit weird. But I think it's possibly a phase humanity is going through as we learn to become used to this strange new (on a historical scale) world of instant communication at a distance, in several different forms (whether phonecalls, email, forums, facebook, twitter etc) - I think we're all still learning the psychological impact of that upon our behaviour.
I also think we're all in danger of* (... or fortunately honoured to be*...*delete as applicable) slowly becoming Nicky Wire. Anyway. Distant Colours! I have to say whilst I liked it at first, it's grown on me a lot and I love it now, and I can't wait for the album.
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'Those Manics are great mun ent'it!' | Miyazaki-San, Arigato | POPCORN! | PorcoTunes: SC=fdporco YT=PorcoForever | | I know our time has come and gone / At least we blazed a trail and shone | | Yes I knew this thing would end / I did not know where or when | Last edited by Porco; 22-02-2018 at 21:01. |
#112
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I think long-time Manics fans being wistful about the band not being as good in their late forties compared to their early twenties is the most Manics thing. Like the living embodiment of a Wire lyric.
I gave it a few days between listens and Distant Colours is still instantly forgettable. Not that it's bad; I just with the Manics still had some anger in them. |
#113
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I realise I probably come across as one of these people who have woken up from hibernation just to make statements that I'm not very impressed, but I only really use this forum to talk about Manics stuff and right now there's not much other Manics stuff to talk about than the new song (which I'm still not really feeling, though funnily I think it's the chorus that lets down the verses rather than the other way around). Still love the band tho, if anything the fact that Futurology has easily shot right up among the band's top 5 albums has kinda made this album's apparent direction a bit less exciting for me. And the interview bits about them being concerned about commercial aspects again is making me scream at my technology rectangles. YOU WERE GETTING BETTER.
In other words it's unfathomably tragic how The Best B-Sides Band has now given up giving up on those as well and I'm eternally grumpy about not being able to geek out on some new single bonus tracks.
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#114
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I can understand not liking new stuff putting u off the old. The star Wars prequels put me off watching the original trilogy for a few years. I guess I didn't want reminding they existed. My heart was broken
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#115
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Based on the singles expectations are low, but it's hardly the end of the world. Futurology and Rewind The Film were both very good and nothing close to manics by the numbers. Even Postcards has some really good tracks once you get passed those awful singles. And before that was Journals, which IMO is only bettered by The Holy Bible. A very good solid 10 or so years of music from the band considering after Send Away The Tigers my interest in them dropped off completely. And they're still brilliant live. I'd be gutted at the thought of never seeing them again if they split.
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#116
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I feel like I've already managed my expectations a bit about the new album, as I'm not sure it'll be as good as Futurology/Rewind the Film, but obviously I could be completely wrong and will have to wait to hear it all to make a proper judgement.
I think they have put themselves under pressure to release something now though, because there had been such a big gap between albums (plus James seems to get very restless when he's not making music, so I imagine he was eager to get going again). I also wonder if all the upheaval (anniversary tours, the studio move, Nicky's mum not being well etc.) might have disrupted their focus a bit; I know Nicky said in one recent interview it had been a struggle to know where they were going next. I'm not trying to make excuses if it doesn't turn out to be a good album, but these do feel like genuine reasons why we might have got something else if the circumstances had been different. I've just read the Quietus interview with Nicky and I think they're always going to be slightly at odds with themselves. There's wishing an ideal situation were the truth (being massively popular/relevant/selling millions of albums, or whatever it is part of them still seems to want) and accepting the reality of the music industry these days (albums/singles charts meaning very little and live music being the main focus, hence why I imagine they're playing arenas again). I don't think this struggle necessarily means they're not being true to themselves with their music though; this doesn't feel like another misguided "last shot at mass communication"...well, so far anyway. I do hope there is something with a bit more of an edge on the album than the two songs we've heard so far. But then they released Show Me The Wonder and nothing else on RTF was anything like that, so for all we know, these two tracks could be a red herring. |
#117
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There’s something I don’t understand.
On Youtube, this song has 1K likes and only 79 dislikes and the comments are very positive, e.g. brilliant, awesome, beautiful, great work, loving this, fantastic, lovely, epic, gorgeous, etc. While here... you know...
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Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. George Orwell Last edited by usagainstyou; 23-02-2018 at 06:50. |
#118
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Honestly, I didn't like the song very much on first listens. But what the hell, this song is a grower.
Also, Distant Colours seems to provoke more 'communication' than International Blue. In my surroundings, IB was not worth the interaction, it seemed. "Just an OK song". But everyone seems to love this one. "Nice, fresh, addictive, a hopeful melancholy, beautiful video". Go Manics, we love you! Looking forward to the rest of the album and the tour.
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Zubrin, stars are beautiful without stripes 2001 Axion Beach Rock - Zeebrugge, BEL 2002 AB - Brussels, BEL 2003 Midtfyns Festival - Ringe, Denmark 2004 IOW Festival - Isle Of Wight, UK+ Brighton Centre - Brighton, UK 2004 Wembley Arena - London, UK 2006 Haldern Pop - Haldern, Germany 2007 Rocknacht - Köln, Germany + Hexagon - Reading, UK + Brighton Centre - Brighton, UK 2008 Pukkelpop Festival - Kiewit, BEL 2009 Roundhouse - London, UK + Lokerse Feesten - Lokeren, BEL 2011 Corn Exchange, Cambridge, UK + Cardiff International Arena - Cardiff, Wales + Pinkpop, Landgraaf, Holland + O2 Arena - London, UK 2012 Trix - Antwerp, BEL 2013 Crammerock - BEL 2014 Brixton Academy - London, UK + AB - Brussels, BEL 2016 AB - Brussels, BEL+ Royal Albert Hall - London, UK |
#119
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It's a gorgeous song.
Plus any Manics song in the key of E (Motorcycle Emptiness, Everything Must Go, No Surface All Feeling, jesus even You Stole The Sun) always have big E chord thrashing shouty choruses. |
#120
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Maybe someone will do a remix of Distant Colours.
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What a mess |
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